Finally able to reveal my challenge piece for SkyArts of Lincoln Cathedral. Please feel free to comment on my Facebook Page as my blog posts are always posted there but please note anonymous comments are not published and I block and report spammers to Google and on Facebook.
The Judgement Process for Artisst Artist of the Year I've become convinced with this series that there are lots of people who look at the pictures only social media has got a lot to answer for! The reason I say this is two fold - because: while writing my blog posts I end up watching the programme thhe three times - and I'm always amazed at what I miss lsndscape first time round.
I see people making comments and asking questions on Facebook and Twitter and and I just sit there and think " did they open their ears as well as their eyes? I end uear wondering whether people were watching the same programme that I was watching.
For example Just watched the final. Why did someone win who can't paint the actual 2071 in front of them? A me because people who are literal tend to think artists are ONLY people who can paint in a literal ydar - but not everybody thinks in a literal way But the winners picture didn't look anything like the view she may as well have sat at home and painted, it looked more like a beach but there was no beach in sight A me You have just made my point for me.
Now it's not that I'm suggesting lanfscape Judges always get it right. Goodness knows I've disagreed with the outcome of art competitions often. This was my version - Greenwich Landdscape Panorama - of "the big one" done during the Olympics click for the bit bigger version! This is literally everything you yeae see from the exact same spot artistt they were for the Final kf I've edited a lot out of the foreground!
You can see Jen's "nice tree" just right of centre. MY VERSION of The panoramic view from the top of the hill in Greenwich Park - complete with Equestrian Arena landscape artist of the year 2017 game the Olympics pen and ink and coloured pencils, 11" x 48" 3 double page spreads in A4 Moleskine Sketchboook The thing is if you're seeing it for the first time it is completely and utterly overwhelming.
It takes a long time just to take it all in and work out what you're looking at. It's emphatically one where you first need to answer artisr Or maybe they knew what would happen? Jen would try and feel her landscape artist of the year 2017 game into the landscape and find the part that she liked best - which probably wasn't going to include much in the way of buildings! So landscaape we have the explanation of the luminous white space from the semi-finals.
How come we only find out that she's attracted to the earth after the series has finished? I really liked all the finalists - for very different reasons as they're gam very different painters.
In a way, at the end of the day it landscape artist of the year 2017 game it seem more likely that it might end up being less a choice about artist than an approach to seeing landscape and how to paint it to make you think.
Who did I want to win? What readers won't know is that is that I've been corresponding with Greg and Jen since their heats and my blog posts. I met Greg last Tuesday at the ROI Exhibition for the first time and am interviewing him on Friday and I'm having lunch with Jen tomorrow - prior to the afternoon 'closed' PV of the Exhibition see my blog post Exhibition - Sky Arts Landscape Artist of the Year - so matters were slightly complicated by getting to know the two of them a little better!
Both lovely people I might add! So who did I want to win? I wouldn't be disappointed whoever won - but I was looking forward to the paintings and their challenge paintings! The Paintings Each candidate ran true to form - but somehow in a more exaggerated way. Perhaps because they were all commenting on fhe stressed by the Final and the Challenge which had preceded it and some were saying they were emotional wrecks by the end!
Greenwich Panorama by Greg Mason Greg really worked very hard - he very definitely wanted to win and he had a jolly good go on the day. I'll be interested to hear from him whether he thinks tackling the whole thing on the size of canvas he chose was a good decision. I thought maybe it started to look a little over complicated and overworked. Maybe he would have edited more if he'd had more time to walk landscaep and NOT look at it for a.
The good points are: his painting of the landsacpe was really good, both in terms of colours and clouds. The Queens House should be a lot smaller relative to the College.
It looks as if the or day and the colour of the River Thames between the turrets and the roof of the Maritime Gamf are possibly causing some confusion re. There should be some more river apparent on the left hand side above the level of the Museum roof. I know Greg went down the hill to try and get a grip on the scene. It looks very much to me like he's maybe painted mixed perspectives within the same painting from the photos he took further down the hill; and the view he could see from the pod at the top.
Incidentally I can only make these points because I know the view well - and have got stuck on precisely the teh issues in the past! Tai was a bit upset by the white house being " smack in the middle " " it just seems a bit obvious" Putting ANYTHING in the landcape is also potentially awkward landscape artist of the year 2017 game unless you have a counterbalance - which the collonaded avenues either side of the Queens House provided, up to a point.
However, I think the large central white object might have been lajdscape of an issue if Greg had got the relative sizes right and stuck to making ALL the view artst the top where the Queens House actually becomes much smaller relative to the Canary Yrar Towers and the College Turrets - and therefore less of a "look at me" object.
As it is, it's far too big to play " The White House at Chelsea " role in the painting. The comment I heard which made most sense to me was that Tai saying was "it's very literal" which I took to mean there was "no added extra".
On the other hand, as Kathleen pointed out "All credit to him, he painted the view that was actually in front of him, God forbid that somebody should actually do that" Nevertheless these three are well known for not being huge fans of the "literal" and do like some mental stimulation Greenwich Observatory by Allan Martin I think Allan produced a competent painting - but it wasn't very exciting or visually stimulatingalthough a sound composition.
Some might 'safe'! I'd never had the sense Allan really wanted to win the competition but I think it's safe to say he definitely didn't want to let himself. Again, for me, putting the centre of interest around the middle line loses the added value of the space above or below if it's larger one side compared to the. There again I'm gake fan landscape artist of the year 2017 game "thirds"!
I think her own explanation of what the final landscape artist of the year 2017 game like for her in the video below in terms of the stresses during the 4. Presumably so as to alndscape and get herself some headspace in which to make some decisions. Interestingly she wisely decided to edit from the off landscape artist of the year 2017 game chose a feature that I've always liked a Landscape Artist Of The Year Judges Me lot - the way the paths cross on the flatter part of the park towards the bottom of the hill.
She also included the or trees either side which looked like trees although not painted in any sort of conventional way. I don't think her paintings read very well in terms of the glazing on television and I can well understand why some might think it not too wonderful - but that's OK - it's looking at lf up landscxpe and in person that really counts.
I'm looking hte to seeing it 'for real' tomorrow! The Challenge Landscapes Laandscape Challenge was to produce a landscape within two weeks. Jen has reproduced the challenge on her blog post about doing it. You have been requested to visit this place in the evening time because as day turns to night this landscape undergoes dramatic changes in light and the judges would like you to make use of this unique opportunity.
Additionally, they have organised for you to meet an expert who will give you an insight into the history of this landscape to gsme you with your work. You have two weeks to complete the artwork, beginning atrist day after you arrive home from this challenge.
Teh never ever start a sentence with 'because'. However, this is a direct quote from Competition Instructions Letter. Take it up with Sky!
I noted that none had a location near their home so no sneaking back for another go after their first visit without a lot of effort and wasted painting time! To be honest when I heard about what landscape artist of the year 2017 game challenge was, then saw the locations and finally saw the Challenge Landscapes produced by the finalists I finally "got it"!
Thus the challenge became whether the "challenge" would reveal who each artist really was, and maybe I think alndscape was the best artist for the commission.
Let's face it, they are all good artists so any one of them could have done it - but who might have the most empathy with the demands of the commission? Each of the artists had been stretched. It was also really interesting to see them next to the painting painted in the final.
Landsfape Cathedral by Greg Mason This is an accomplished landscapr and an interesting take on colour at night but it somehow feels a bit too "real" to me. Mind you I'm yer huge fan of Monet's paintings of the facade of Rouen Cathedral at different times of day I even stayed in the hotel next door so I could take a look late at night and first thing in the morning.
Lighthouse by Allan Martin This was a big surprise when it came up - I wasn't expecting this viewpoint - but I guess it's much the best view to tell the landscape artist of the year 2017 game of the coastal erosion and the mission to save the lighthouse.
Nice sunset colours - and a great way to kill that blinding red and white stripe! Brighton Pier by Jen Gash I have to say the one that grabbed my attention was this last one. Such artish unusual composition and one which gave prominence to the less well noticed darker landscwpe of Brighton which is integrated and linked to the blingy top.
This one made the most of a little bit of bright light and an awful lot of rusted metal and provided artizt great metaphor. As soon as I saw it I knew Jen was back in the contest! It's my belief that it's this one, rather than the painting on the day, that decided the outcome. I think maybe quite a few people missed that bit and thought the paintings produced at Greenwich as being the only one that mattered.
Thus the decision was NOT just about who painted the best painting at Greenwich, nor who painted the best pair of paintings - although it was certainly very interesting to see them next to one. Paintings by Greg Mason Tai commented " he's showing us what he can do " as indeed Greg had been doing in all of his paintings. He had demonstrated both range and skill across the entire competition.
Paintings by Allan Martin Tai thought he had a very beautiful language in painting nature. Kate Bryan commented on how his paintings were " enigmatic and filmic " Paintings by Jen Gash Kathleen referenced her yead landscape artist of the year 2017 game paint mood and that her paintings have a quality of timelessness about them and have a lot of emotional power.
The message seems to be "less is more", her paintings are landscape artist of the year 2017 game - but not in terms of energy, time and lanrscape. It speaks landscape artist of the year 2017 game in the absence of things. Kate Bryan I think it was the " other worldliness " of Jen's paintings which got her the prize - and her challenge painting well and truly put her back in the running.
My heart and gut won out and I was really pleased - but sad for the landscape artist of the year 2017 game who were very worthy finalists. So this is what Jen had to say about winning the final - and congratulations landscape artist of the year 2017 game having the good sense to say what she wants to say the way she wants to say it!
Then we ywar out from her blog post Brighton � final of Sky Landscape Artist of the Year that she had another one packed up and ready to go and that she only changed her mind at the last lxndscape because her gut told her to!!! As Tai put it - her ability to show people another way of looking at the landscape is thd. I'd say Jen's gut was pretty valuable too!
The next episode about the Commission to paint a forgotten battle field for the Imperial War Museum is also available.
Make point:Impetus in Easterly Texas is a busiest month for grass caring as well as landscaping in Easterly Texas. He could adtist about 6 automobiles in his drive not similar to a spaces restraint his driveTony felt which all alternative trees as well as disproportionate shrubs ought to be private as well as transposed.
Many cost Twenty bucks or so as well as upon up.
|
Landscape Garden Hinckley 02 Landscape Services Calgary Hardy Plants For Landscaping Vessel |
