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Then you need to invest in some Solux bulbs. If you work small and have a friendly electrician these can be a great solution, there is a 4 lamp track available that gives a great value spread light, however, the halogen light has a spot effect, rather than bringing up the illumination of the room. The lights are often used for photography proofing of colours, so have been designed on a track system for illuminating a wall.
Also they are harder to track down in the U. Pro Tip: They produce an amazing reading lamp for Landscape Design School Portland Oregon Qt a lovely quality of light. Full Spectrum Fluorescent Tubes These tubes are probably the next best thing indoors to North light for most artists wanting a good illumination of the whole space. The phosphor coating helps to smooth out the spiky light wavelengths and gives a more even spread of colours.
This tricks your eyes into thinking they are seeing white, in much the same way as a TV screen works. They have a Kelvin of K and a CRI of 98 and I can create a bank of lights to mimic diffused daylight whilst ensuring the lux level is going to be high enough. D, so gives a feel-good factor whilst you work! Thanks for that. Great to find someone that has done all the tedious research. I will go back to the lighting shop next week armed with new specifications.
HI � I was going to put an led daylight strip in my log cabin studio. You really talk about LED lights � what do you think of these for a studio?
Great studio lighting info. How did he find anything! Congrats on the new studio. Cheers, Orla :. Thanks for this, Will. The information was very helpful, as per your usual standard.
I never knew it was that technical! And I thought artists were supposed to use the other side of their brain. I will stick to my patio doors with a fly screen up for now, but an excellent article and one that I will definitely refer to again.
Thanks Will : P. Hi Al, Great news about the exhibition, and a fly screen patio door combo sounds pretty sweet! Thank you so much for your efforts , Will. I will have to take days to digest this information. Thank you, Will, for the very comprehensive report and photos of lighting for studios. I found it very helpful�thanks for doing the condensed version.
I appreciate your time and knowledge�thanks for sharing. A few years ago I also researched this lighting issue. The costs are so varied too. This information is incredibly valuable. What can I say,��thank you for your very complete and valuable information, you suggest tea and biscuits. But I think I will have a shot of tequila to your health. Actually, I do have 8 down lighters and a Velux skylight and a glass door to the garden� and when the light gets too bad I head for the vino, never mind cups of tea and choccy biscuits a real no-no here in France!
Great article, Will. I use a combination of construction and photographic lighting for working at night. I never considered where the painting will finally hang � great point!
Should I hang some sort of flat net curtains across the window to defuse the direct bright changeable sunlight? Also which relatively cheap bayonet lightbulb would you suggest I buy for lighting from the centre of the ceiling?
Which acrylic colours would you suggest I buy to get started in acrylic painting? How to choose a basic acrylic palette How to choose a beginners starter set. I feel very excited!! Will, thank you so much. You are so kind to explain everything and tell us about different options of this important part of painting and share your experience.
I look forward to having a look at your new studio. With love from snowy Moscow, Irina. That was a lot of info to take in. Most of us just have a small space where we can paint that usually has to be shared with other activities.
Your information was helpful but you lost me about at the fluorscent blubs. I kept thinking of the chocolate biscuits, we call them cookies here in the states. The power of sugguestion. I will consume a few more biscuits and continue reading. I only have one small north light window and two small west. Terrible glare in evening, shades do the trick. Thanks for a very informative essay on studio lighting.
I evernoted it for future use. Hi Will, I really enjoyed this article. Being a construction professional I know just how complicated and frustrating it can be trying to make a choice of product in this area. I just installed new flourescent tubes in my apartment studio! Look forward to seeing the finished studio.
Thank you Will for clarifying the confusing subject of lighting and light bulbs. I am trying to outfit my little studio with proper lighting fixtures, so your article is an immense help to me at this time. I will keep a copy of this information and file it in my art notes.
Your direction is very clear and I appreciate what you do. Hi Susan, really pleased to hear the article was helpful, an odd change of bulb can make all the difference. Thanks for the article. I can see you have put alot of thought and work into its preparation. I found it extremely interesting.
This is my biggest problem in my studio. Thank you for telling me how to fix my problem. Such a lot to take in but so informative. It has long fluro tubes in it at present. Many thanks Will. This article came just at the right time for me. Hi Helen, pleased to hear the article came at the right time. As different coloured light sources, the colour of the object and reflective light can all change the shadow colours in relationship to the lights.
Thank you for all your research on how to light a studio. I found it very interesting and sent me back to when I studied physics of light and color. I did a paper on Impressionist light in using color en plein. I hope others find your research helpful. Having the right light is important to a painting as is the color scheme and the subject of composition.
Thanks for dropping by, pleased you enjoyed the article on lighting a studio, I agree, good lighting can really can make a big difference to your work. Very useful information, really detailed and much appreciated�. Astonishingly comprehensive. Thank you, Will! Am so pleased I stumbled onto your Website last night and signed up. And all I had been searching for is how to lay acrylic paints onto canvas to maximize light penetration through the paint.
Betty in Virginia, your former colony. I am preparing to expand my studio space Hooray! This article is extremely helpful. Many thanks. Hello and thanks for the info Will; this will help me considerably. Regards Frank. Lithgow N. W Australia. Hi Frank, nice to near from you, pleased you found the article helpful. A couple of read-throughs is a good idea!
Cheers, Will. Hi Will, I am so pleased I discovered your fantastically helpful tips, but this one is remarkable. The information in your article has really opened my eyes about my options. Thank you so much sharing your research in a way that even I can understand! Cheers, Jennie from Buckinghamshire. Really pleased you found the article helpful, I can symphasis with your changing lighting conditions!
A great posting. Well done and congratulations, Will. This is much more technical about lighting than I had to cope with in a previous job setting building standards. Will, I hope the studio is working out. Colour and light� fascinating, are they not? Another posting for you here, I reckon. Pleased you enjoyed the article, I found, finding lighting info specifically for artists, quite tricky.
My first thoughts went directly to north facing windows so it is with some timely fortune that I return to your school and consider light from a southern hemisphere perspective. My other consideration is cathedral ceiling or a single slope ceiling, high south, low north.
However, regarding hemispheres, I assume then that the southern hemispheres equivalent to clear northern light, is light from a south facing window?
The logic seems simple but�we in the southern hemisphere spend christmas in shorts and a t-shirt reading christmas cards covered in snow scenes. Logic gets challenged! Thanks for that Will!
Thanks for a great, in-depth summary of studio lighting, Will. Your site certainly is a treasure store of information! We are about to move house and the room I have earmarked for my studio has NE light � each time I have been in that room it seems like a good, steady light, coming through a fairly large window for the size of the room. There is also a glass door leading onto a balcony outside.
In my new room I think the builder is going to put LEDs in for me at each work station around the room � am I right in thinking that these give a pretty pure, natural sort of light without too much colour cast in any direction?
The central light will probably be retained, and I will still be able to use my lamps. I tend to work on a flat surface rather than an easel, using mixed media, and I am thinking of having my main work station against the wall at right angles to the window.
I do not want it under the window because I need storage space for equipment immediately in front of me. The walls and ceiling are white, and I shall be having a neutral coloured or pale wood floor covering. That was really helpful, thank you for going to the trouble of posting something so comprehensive.
I think I could follow most of it. I was already thinking of using full spectrum fluorescent tubes, so your recommendation of a specific one was great. I feel your pain!!
So amazingly bright with a really even spread, however, I have had made, bespoke fittings with diffusers and separate switches to adjust the light levels. So I can adjust it to fit each painting commission. If you had half that amount it would still be plenty bright enough, taken into consideration your lower ceiling as well. Great information about studio lighting!
This article helps answer a lot of my questions. Thank you for posting this! I want one!! Did you design it yourself? When is Part 2 ready for release? I have only recently discovered your website, and I have learnt so much already � many thanks. Hi Elaine, nice to hear from you, pleased you liked the studio and are enjoying the tutorials. Part 2 studio update is coming in a couple of weeks,. A great article!
Also how expensive it can be if you get it wrong! Thanks again for sharing all your knowledge. Thank you for the illumination on illumination. Helpful for creating my new studio. Now my paintings are less likely to magically change colors like a mood ring when I take them into a different space.
Saved me much research time. My husband engineered a ceiling that took advantage of the North light, and we have have incorporated CFL lighting. I do have large CFL lights for my photography, which I purchased over a year ago. Wonder if they will help me deal with lighting, especially in the PM hours. Have you finished your studio? Just curious about your lighting� are the bulbs covered or exposed? Also how many are you using in your studio? Yep, my studio is up and running!
I will do a studio update over the next few weeks, so you can see the finished results for yourself,. Thank you, Will� I will look forward to seeing the update! I just built a new studio, or should I say I will be finishing my new studio in the fall when I return to my home in Florida. I want to get the lighting as close to perfect as I can. Regards, Dianne. Good one! My studio lighting so far has been fantastic. Good luck with finishing your studio, I know how much work goes into it but it will be definitely worth it!
Thank you so much for this article. This information is so helpful. Your article will really catapult me forward in solving the problem. Great to hear it Sandi, I can sympathize with your pain! So pleased you found the article helpful and good luck with your new setup. About to build my new studio. It will be about 12ft x 20 ft. I will have French doors on the North side and a velux light in the pitched roof North side.
I will need to explain to my electrician. By the way, what flooring have you used in the studio? I was thinking of Porcelain tiles? Your explanation of the lighting is terrific. You would usually have 4 to 6 fluorescent tubes in a bank and I would say for a studio around this size, 2 banks.
I have 12 tubes in total and this is super bright for a not dissimilar sized studio. Flooring wise using porcelain tiles can be quite hard to stand on all day if you paint at an easel. Thanks for your advice Will. It would have been a real headache trying to decide what lighting I needed.
Many thanks for this information, Will. I made really bad choices the first time around. Hi, Thank you for the useful information. I am in the process of making a room in the basement as my studio. I always worked with fluorescent tubes ceiling lights and I have been quite happy with results. What kind of bulbs you recommend? I am also considering an additional floor lamp to help making work area I use an easel brighter.
Please let me know your opinion. Thanks in advance. Hi Mar, the brightness of the light will depend on the output level on each fluorescent tube, or how many tubes you have. How do you use a subtle side lighted effect when painting portraits if the studio is overall lit with cfl producing a very bright working area?
Do you have separated switches for the cfl and a duller area lit by one lamp only? Thanks for your excellent advice. So the sitter is in a softer light, but I still work in a brighter light.
The bank of lights I have set up are also wired on separate switches, so I can alter the intensity from 12 tubes to 1 tube. This means I can match the intensity of the lighting to the mood of the portrait. Loved your article on lighting!! When was it written? I am in the process of building a square foot free standing studio and am not certain what to do with the lighting issues.
I have had several studios over the years � Omaha, NE, Northern California and now Phoenix AZ so my lighting concerns have been different in every case. The issue I have now is that the southern sun is terribly hot, the cathedral level windows are on the west side with a smaller window and sliding glass door to the south. The east wall is blocked by the east wall of the house by six feet and will be the 30 ft wall I will use to paint on. I mainly am a contemporary painter, make all my own paint for 35 years � acrylic, an ornamenter glass , and concrete sculptor.
So, I have thought about a track lighting system around the inside, about 8 to 10 feet up on the cathedral ceiling. I have also thought about putting in 2 skylights on the north side. You had mentioned the use of flourescents with the natural light. I have used the flourescent, and the halogen. I was thinking of LEDs because the Halogens will be awfully hot down here in the summer time. I do not like a blue light � I prefer a daylight bulb � or did prior to moving to Omaha.
Your advice is appreciated? I feel like I am running around in circles. I need a solution before we breakground. Having a track light for tasl lighting for displayed your work and fluorecent for the more ambient lighting it should work fine.
Just match the Kelvin temperatures of both your artificial lighting to the kelvin temperature of daylight you prefer. Wonder dicussion. I love vivid colours but the room the class was in had awful lighting and orange walls. I would spend 2 hours painting then go out in the sunlight only to see the colours were so off. The next class I would have to spend time correcting it. Thank you for spelling it out in one article. My class is in a place now with great lightning.
Hello Will, Wonderful article, the best on the subject out there. Many thanks! The flexibility of track lighting appeals to me: being able to direct the lights, remove them or bunch them if I choose.
Also, being able to switch out for LED bulbs, if I ever find a suitable one. A separate light switch will control each length. If you have any thoughts on suitable bulbs or how many total in this space, or if you think a different set up would work better, I would be grateful if you shared. It has made me rethink my original lighting plan.
After you check them out, please let me know if you think the long term energy savings of LEDs could offset the hefty purchase price or if these fixtures are appropriate for lighting a studio.
This is the manufacturers website. The description below is about the same fixtures from aquariumplants. LumenBlaster LED lighting has finally arrived: Made from the best components available: Commercial-grade, IP66 Waterproof LED light fixture assembled with a custom spectrum developed specifically to highlight all of the colors a freshwater show tank. Hence, this spectrum is extremely capable of growing the most demanding freshwater plants.
Available in 4 fixture lengths and 5 beam angles to work with all aquariums. For those seeking less pink in the light spectrum, this is a great alternative to the Freshwater Planted Spectrum. The studio portion of the build sounds like a great size, and with your skylights and awning should be a really bright space. Track lights can work well and give you flexibility if the bulbs are close enough together so you have an even spread of light.
Its hard for me to judge cost saving vs initial pricing of the lEDs, but these ones do seem to have a very high CRI rating and a low operating cost. Thank you so much for sharing this. Wonderful article � just what I needed: I have a very small bedroom for a studio right now, how many bulbs are needed in a I have one overhead electrical outlet which I want to change to the fluorescent lights you suggest. I want to know if I need two fixtures with maybe 2 bulbs in each, spaced equally on the ceiling.
Does that make sense for overall lighting the room? I have some spot lights that I use for close work right now. For that size room one single fixing with a twin fluorescent bulb will give you a bright working area. I had a 5 ft twin fluorescent tube from the centre ceiling fitting and then painted standing at the easel directly underneath it. The internal ceiling height was about 8ft and the room was about 10 x With the one fitting my actual easel is illuminated really well, but the rest of the room is darker due to the spread of the fluorescent.
If the ceiling was higher the spread would have been greater So you could try 1 x twin fitting with the current electrical fitting as no need for any rewiring, check the brightness, and then add another fitting if need be. The most even spread would be 4 single tubes evenly spread.
Hello Will: I am the inventor of the SoLux bulb. I appreciate your review of our product that has found so much success over the years. There are a couple points I would like to clarify:. The rest is all true! Sound crazy? We agree. Tailored Lighting Inc, my company also ships directly to customers all over the world, sales inquires at [email protected] , Phil Bradfield SoLux bulbs typically last 6,, hours because most transformers drive at less than 12 volts increasing lifetime and do not drift.
SoLux provides perfect daylight from day one, fluorescent lights are incapable of providing proper daylight simulation. Let me know if there are other things you would like to learn about SoLux. Best way to appreciate SoLux though is to see it in use.
Seeing is believing. Hi Will! So much wonderful information. And I want to thank you for sharing it with us. Quick question, I have a floor lamp with 3 adjustable light sockets.
It currently has 1 cfl with a k lumens bulb I looked on the package. Hi Tom, it kinda would, but not perfectly, another cooler bulb would help to give you a cooler light effect, but it depends how close you are away from your work. Hi Will, I added another CFL, k and lumens, and the combination of warm and cool did work pretty well. At least for the moment it will serve for my tiny little setup. Again, thanks for all the great info on your page.
Cheers, Tom. Good one Tom, pleased it has worked to help match the outside lighting and is working for your setup. I left a message before and you answered my question about how many tubes to light my small studio but now I have a question on where to buy the Phillips Graphica in Canada � Vancouver actually. Do any of your readers or associates know where I can get them here? Will, I learned so much from your lighting article.
I have finally found the fluorescent tubes that should work, and now I have to choose the paint and flooring and my studio will be finished. I have a good idea of the paint color�one of the gray tones, white for the ceiling. Is this a good choice?
I will have three overhead lighting fixtures with 4 fluorescent tubes in each.. My studio is a free standing building at the edge of our pool deck.
Although it will be air conditioned and heated, I am still concerned about the possibility of mold. We live in Florida. Since bamboo is supposed to be mold resistant, that is my choice for the material. Our local DIY store has one that is light and one which is much darker. Which one do you think would be better� Think of the colors as a blond or brunette.
Also, have you posted pictures your finished studio somewhere?? Thanks for all your wonderful information that you share. You might find this article of interest on choosing an art studio wall colour. First of all, thanks for a great article and, in particular, for the Amazon link to the right bulb, which saved me ages of searching.
Perhaps though, you could edit in that this bulb is actually the size of a thermos flask! So, not a problem for me, but might be useful info for other people to know in advance.
Thanks again for this article and all the other great articles and vids. Hi Will, This makes for fascinating reading. I am assuming the colour of your walls will also impact how the light effects your painting space? I am planning on taking possession of the spare bedroom and turning it into my personal painting space but living where we do all our windows are heavily tinted to reduce the effect of the heat on the glass and the sun coming into the homes.
For this reason I need to be very aware of what artificial light I use as I will end up being very dependent on that. The room is also a very heavy apricot brick colour so not ideal. I would like to repaint it� Any wall colour suggestions? Thanks again for all the wonderful info!
Yes, the colour of walls do also impact how the light effects your studio, have a look at this article:. How to choose the perfect wall colour for your art studio. It has a dimmer switch. I work with paint and textiles. I guess I am confused about LED replacing fluorescents. Thanks so much for information. My brain also hurts but in a good way. I am just getting ready to put together a studio in, what is now a large 16x24ft?
It has a large glass door facing North. Thinking about putting in a skylight also. I appreciate your ideas and expertise. I paint primarily Pet Portraits, from photos, and want to always get a true likeness. Thanks again, Cathy Down. Hi Cathy, so pleased you found the lighting article helpful for designing your new studio, it can be a bit of a headache, but so worth it in the long run!
SO useful and clear. Here is a link to a supplier in the UK, the link is to 4ft tubes, but they also have 5ft tubes. Thanks Will. I think 4 ft will possibly be quite big enough? We had been thinking three 3ft tubes�.. What about anti-glare fittings � any advice? It varies depending on the housing for the tubes and how high they are positioned.
These fittings can be added afterwards though so you can always start with the bare tubes, and then adjust from there. Thank you so much! Mmmm � more food for thought. I have to work mainly in artificial light as my windows face south � no choice here. I think the height of the tubes will be measured using your lux level light meter approach.
Thank you again for puting out all this wonderful information � seriously grateful June. I try so hard to emphasize warmer, sunnier, colors � but my work nevertheless ends up being predominately cool.
I have been trying for years to overcome my secret, unconscious preference for cool colors � but it might be that what I really need to do is get better lighting! Thank you, thank you. Hi Essie, really pleased you found the article helpful.
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