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A look at implementing color theory in an acrylic painting. Monochromatic, analogous, split complementary, and complementary schemes are explored. A look at four of the most commonly used acrylic mediums used by painters.

Get introduced to a few basics on the medium of acrylic painting in this recorded Live Lesson. Learn color theory the easy and fun way with The Interactive Color Wheel. Experiment with your paintings to find the best background color.

Learn how to protect your paintings and make them look their best. Critique is an important part of the process of improving your art. Learn how to paint a portrait with acrylics in this lesson that focuses on deliberate and visible brush strokes. Learn how to mix skin tones using just red, yellow, brown, and white. Learn how to paint a challenging landscape with acrylics in this mini-course. Learn how to paint a winter scene with acrylics in this lesson series.

Part one of a series on developing an underpainting with acrylics. Part two of a series on developing an underpainting with acrylics. Part one of a series on adding layers of glaze to an acrylic painting. Part two of a series on adding layers of glaze to an acrylic painting. Learn how to apply acrylics with a variety of painting knives in this course module.

Follow along and watch as a seascape is developed using acrylics in this two-part video series. Join us as we take a look at painting with acrylics on gessoed board. Learn how to paint directly in this lesson that explores basic acrylic painting techniques. Acrylic Painting Series - "Cherries" - 4 Hours. Learn how to paint a realistic painting on watercolor paper in this series of recorded Live Lessons. Part one of a two-part series on painting directly Alla Prima with acrylics. Part two of a two-part series on painting directly Alla Prima with acrylics.

Recorded Live Lesson series on painting with Landscape Light Replacement Us acrylics. Create an under painting of values and layer local colors on top. Acrylic Still Life - Underpainting - 2 Hours. Learn how to create an underpainting of values in this two part video series on acrylic painting. Kris Parins is a watercolor painter who is originally from Wisconsin, and now shares her time between a studio there and one in Florida.

Her bright, crisp watercolors reflect a love of the natural world as exemplified by both places as well as the play of light and shadow to be found in urban environments and still life objects. Her approach varies, at times areas of color are abstracted to the point of giving the work a seirgraph-like appearance.

Her website portfolio is divided into ranges of subject matter. In addition, there is a section for prints, and a video in which she talks about her inspiration and process. My assumption from the auction listing is that the painting is currently in a private collection. This painting by Danish artist Carl Thomsen is a perfect image of bringing spring indoors. The vase of blossoms and the young woman and her white dress are illuminated highlights in the dark room, giving a feeling of the bright promise of spring making an advance into the darkness of fading winter.

His watercolor themes often include subjects with water � creeks and streams, small runs or even reflective puddles. These are approached with an eye to texture and interesting value contrasts. Among them is a section for his sketchbooks. English painter, printmaker and illustrator John Sell Cotman, who was active in the late 18th and early 19th centuries, was prolific and left a trove of drawings in addition to his paintings and graphics.

Here, he confidently delineates the intricately decorative structure of a large Renaissance church with graphite, augmented with subtle washes.

The drawing exhibits both the substantial accuracy of a careful architectural drawing, and the liveliness of a more casual sketch. In both cases, lines that over their course are ruler straight, are along the way wavering and often lightly broken. Originally from Montreal and now based in California, Jennifer McChristian is a painter I first featured back in Working primarily in oil, and secondarily in gouache and watercolor, McChristian paints both plein air and in the studio.

While she sometimes paints the natural landscape, her preference is to find subjects in the built environment, often taking obvious delight in the geometry of buildings, highways, streets, and bridges, and the shapes of shadow and light they produce. She also finds inspiration in nocturnes, working with Sunset Watercolor Landscape Easy the contrasts of darkness and artificial light in a way that strikes me as appealingly playful.

McChristian also studies people, placing her figures and portraits within their environment. Her approach is quite interesting; she apparently works with a bright, high chroma imprimatura, reddish or almost magenta, that she allows to freely come through in areas of her brusquely textural paint application. I find the textural, painterly nature of her brush marks particularly appealing.




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